Singer’s Story
By:
David Divers
(© 2008-2009 by the author)
Edited by:
Madison Cole
The author retains all rights. No reproductions are allowed without the author's
consent. Comments are appreciated at...
Chapter 3
A Star is Conceived
One of
Daddy’s songs was entitled, “A Sheltered Life.” It is a song about how hard it
is to resist temptation and how wonderful it would be if we could live a life
sheltered from all that. It was recorded as a Stone Family song and Daddy and
Mamma sang the lead parts on that one. The label sent out sample CDs with only
that one song on them to radio stations. I would like to say the song was an
overnight hit. It wasn’t.
Although breaking into radio was slightly different when we started out, many
stations today use pre-recorded shows that are recorded elsewhere and are just
re-broadcast locally—especially at night when there are fewer listeners. They
might use the same tape over and over for weeks. The states have live DJs and
news during the drive-time hours when they charge the most for advertising, but
otherwise they use these “canned” programs. Even the live DJs are required to
use play lists. They don’t simply sit around with stacks of CDs and select the
songs they want to play. The station managers provide a program of songs that
are authorized. Because of this, it is often difficult for newcomers to break
into the business. But our success eventually happened in just the opposite way.
There was enough demand and our label and management company had enough
influence that some of our songs were picked by the company that produced the
prerecorded programs. We got enough exposure outside of the “drive-time hours”
that the station managers had to put us on the drive-time play lists.
(Drive-time hours are those particular daytime hours when most people are
driving to or from work. That is when they listen to the radio the most and are
most receptive to advertising.)
Starting out, “A Sheltered Life” got air play on the smaller local gospel
stations in the area where we were known because we could personally promote it
through friends, relatives, and the churches we regularly visited. We were
considered to be a local group by our supporters in a three state
area—Tennessee, Kentucky and West Virginia. The local fans made sure that the
stations had a copy and they created demand by calling and asking them to play
it. Meanwhile, our family was sent to any station that would let us in the door
to promote it.
The first promotional tour scheduled our stops where the promoters felt it would
do the most good. We visited many stations in Alabama, Virginia, Georgia, and
the Carolinas. Naturally we also did some revivals and play dates along the way
to help defray the costs, but the main purpose was promotion. Sometimes we would
hit three or four stations per day. While we were at the radio stations, we also
were able to promote the other songs on the album as well. We probably gave away
as many CDs as we sold in the stores. Many stations would have call-in question
and answer interviews and we would donate prizes and pictures to the callers.
While we were still small timers at that point, county folks didn’t care about
that. To them we were celebrities. And, off the air, we would try to get their
addresses for future promotions. The group also recorded promotional
advertisements for the stations while we were in town-things like, “We’re the
Stone Family and when we are in [city], we listen to ...” Promotions always
included that type of thing.
When we returned to the hollow, we began to get mail and phone calls from the
people that we had met along the way requesting more information about us. Not
only that, but the radio stations began getting requests for other songs that
were on the full CD. Most stations only had the demo and didn’t know about the
other songs.
The song that did make a big splash was a song that Daddy had written titled,
“Ripples.” I sang the lead part on that one. The song was about how one act of
Christian kindness can spread to other people like ripples in a pond. As soon as
the song began getting air play, we began another promotional tour of the Deep
South. We hit southern Alabama, northern Florida, Mississippi, and Louisiana. We
did more appearances at churches and gospel sings and other package shows.
(Package shows are where a promoter puts together a package of acts and sends
them from town to town like a traveling circus). But now, we were getting
noticed by the more popular groups who were on the shows and they actually began
taking us seriously. Although we still were the opening act of the shows and not
the headliners, we were no longer treated as outsiders.
Most well known groups have “homecomings.” Once or twice a year the big name
groups put together a show in their hometowns and promote them as a homecoming.
They invite other groups to play. During that tour we were invited to two
different homecomings but Daddy had to refer them to our management company
because by then, we had no control over where we went or who we were packaged on
those shows with.
When the label realized the potential that “Ripples” had to become a hit, they
also began promoting me personally as an age thing—a fifteen year old boy in a
family group with a hit song on his hands. My family made sure that it didn’t go
to my head.
We were being realistic. Our real strength was as a family. We might have a big
future in Southern Gospel music as individuals, but we would all prosper as a
family unit. Since I was a minor I had no personal contract with the label and I
was bound to the contract that my Daddy had signed on my behalf. I had no
quarrel with that because up to that point there was no rivalry within the
family itself.
As soon as the song broke into the top 100, the management company began to
market both the Stone Family and Billy Joe Stone as two separate entities. Where
just a few weeks earlier we were the opening act, the promoters began to give us
second or third billing in order to take advantage of the song’s growing
popularity.
We always started playing our part of the show as the Stone Family. We would do
our half hour show as usual and then I would do another fifteen minutes as the
lead singer. At the conclusion of my set, we would join together to sing that
old song, “Will the Circle Be Unbroken.” The first time we did it, the show’s
star complained to the promoter because the song brought down the house. The
crowd loved it, but they began leaving the building at the conclusion of our
part of the show. As a result, the star had to play to an almost empty house. He
was a famous young tenor named Chris Baker who had been one of the first
generation artists from our own recording label. Before we knew it, he forced
the promoter to put us on last.
One night after a show in Baton Rouge I was walking around out behind the
auditorium cooling off after the show, and Chris cornered me behind the buses.
He seemed to want to chat. Chris was a slim, handsome guy in his early twenties
and despite the fact that we were performing in a gospel show, he always
performed in form-fitting black stage clothes. Whenever I watched him I felt
that same familiar rush that I had first experienced with Bobby. But that
couldn’t be ... after all, he was a Christian singer. I was a Christian singer,
too ... It just couldn’t be happening again ... certainly not with an adult. But
that tingling in my groin and the tightness in my chest said otherwise.
I knew nothing about “gaydar’—that would come later—but I thought I recognized
something in him. A kindred spirit, perhaps. So we talked about the business
awhile and just wandered around. But then, when we got into the shadows, Chris
put a hand on my shoulder causing me to pause in mid-stride. He said, “We seem
to be surrounded by old folks on this tour. Most of these guys are in their
forties or fifties. Even your Dad and Mom must be pushing forty. It’s hard to
find somebody as young as us to talk to.”
Even though I was only fifteen, Chris looked almost as young as me. He said,
“You know, it sure does get lonesome out here on the road.”
I told him truthfully, “I wouldn’t know, because my whole family is with me.”
He said, “You must really miss your girlfriends back home.”
I answered, “We’re on the road so much that there is not much chance of having a
girlfriend. And when were home we live so far out in the sticks that girls can’t
hardly find me. You know how out in the country, some folks live where the paved
road ends? We live even father out—where the gravel road ends.”
As he rubbed my shoulder, Chris said, “You are so young and innocent that it
hurts. It is that part that sometimes gets us in trouble.”
I seemed to know what he was trying to get at but I just kept silent. This was
an adult. I didn’t want to mistake his meaning. What Bobby and I did was just
boy-to-boy stuff. This was more serious than that. But I really was lonely. I
was also mature far beyond my years. As I said, I did not have a normal
childhood. I had grown up working in an adult business and was treated as sort
of an extension of my Daddy’s ministry. In music I was comfortable expressing my
emotions in public with music. So, Chris and I really were contemporaries
despite an eight- year difference in our ages.
He said, “With all the attention you are getting, I know that this is probably
old hat. You probably hear it all the time. But you are beautiful boy and I have
never heard a more talented kid than you. You have a great future ahead of you.”
I was still relatively innocent but I knew exactly what he was getting at. He
said, “I would really like to spend more time with you. After the show in
Hattiesburg tomorrow night we are all scheduled to play the convention center in
Biloxi. I am sure that we may be able to spend some time together down there. I
tow my SUV behind the bus and I have to do a promotional interview with a radio
station in Ocean Springs, so maybe I can talk your Dad into letting you do it
with me. It will be good for the show and we might get some time to be just
guys. Would you like to do that, Billy Joe?”
Chris added, “Don’t you mention it to your Dad. Just let me bring it up to him
tomorrow night and act surprised if he says anything about it. He might not let
you, but I’ll do my best.”
Red faced, I still didn’t know what to say, I stammered a few time and finally
said, “I would love to spend some time with you ... doing guy things ...”
Chris looked me up and down and I am sure he eyed the bulge in my crotch. With
that he walked back towards his bus. I waited for awhile and then went back to
our bus and messed around outside for awhile until my hard-on deflated. Later
after everybody went to bed I spent some time in the bathroom. Alone.
To be continued...
Posted:
06/26/09